Hirt, Lytle, Tammen - Twelve Ways Of Saying Yes In 18th Century France

Review by Shannon Kennedy

Hirt, Lytle, and Tammen's album "Twelve Ways of Saying Yes in 18th Century France" is a unique and refreshing addition to the world of contemporary jazz. The trio has managed to seamlessly blend elements of traditional jazz with experimental electronic soundscapes, resulting in a sound that is both familiar and innovative. The album is a collection of twelve tracks, each one exploring a different aspect of French culture from the 18th century.

The musicianship displayed on this album is exceptional. Hirt's trumpet playing is both emotive and technically impressive, while Lytle's drums and percussion provide a solid foundation for the music. Tammen's electronic manipulations add a layer of texture and depth to the sound, creating an immersive listening experience. The trio's improvisational skills are also on full display throughout the album, with each member taking turns leading the group in different directions.

Highlights of the album include the upbeat and catchy "Oui, Oui, Oui," the hauntingly beautiful "La Vie en Rose," and the experimental "Le Coq et la Pendule." The album as a whole is cohesive and well-executed, with each track flowing seamlessly into the next.

Summary by Shannon Kennedy

"Twelve Ways of Saying Yes in 18th Century France" is a highly enjoyable and thought-provoking album that showcases the talent and creativity of Hirt, Lytle, and Tammen. Fans of jazz and experimental music alike will find something to appreciate in this unique and engaging collection of songs.