Riccardo Chailly, Concertgebouworkest - Alfred Schnittke Symphony No5

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Review by KLUBBER AUGUSTUS

The album "Alfred Schnittke Symphony No5" by Riccardo Chailly and the Concertgebouworkest is a stunning display of musical virtuosity and emotional depth. The album features Schnittke's fifth symphony, a complex and challenging work that demands a great deal from both the musicians and the listener.

Chailly and the Concertgebouworkest rise to the challenge with aplomb, delivering a performance that is both technically flawless and deeply moving. The orchestra's precision and control are evident throughout, as they navigate Schnittke's intricate and often dissonant score with ease.

But what really sets this album apart is the sense of emotional depth and intensity that Chailly and the orchestra bring to the music. From the haunting opening bars of the first movement to the explosive finale of the fourth, they capture the full range of Schnittke's musical vision, from moments of quiet introspection to passages of overwhelming power and grandeur.

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Filename: riccardo-chailly-concertgebouworkest-alfred-schnittke.rar
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Tracks

TrackDurationPreview
III. Pesante6:18
IV. Lento8:45
IV.6:30
III. Lento — Allegro16:26
II. Allegretto7:38
I. Allegro2:39
II. Risoluto3:41
V. Moderato2:56

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Catalog Numbers

478 8355

Labels

Decca

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Formats

  • CD
  • Compilation
  • Reissue
  • Stereo

Credits

RoleCredit
CelloSaskia Boon (tracks: 6-9)
ConductorRiccardo Chailly
HarpsichordJan Piet Knijff (tracks: 6-9)
KeyboardsRonald Brautigam (tracks: 1-5)
OrchestraConcertgebouworkest
PianoRonald Brautigam (tracks: 6-9), Ruud van den Brink (tracks: 6-9)
ViolaGerrit van Leuverink (tracks: 6-9)
ViolinJaap van Zweden (tracks: 1-5), Jan Spronk (tracks: 6-9), Robert Waterman (tracks: 6-9), Victor Liebermann (tracks: 1-5)

Notes

  • Recording Producer: Andrew Cornall
  • Recording Location: Grote Zaal, Concertgebouw, Amsterdam, February 1990
  • Publisher: Boosey & Hawkes Music Publishers Ltd
  • ℗ 1995 Decca Music Group Limited
  • © 2015 Decca Music Group Limited
  • Project Manager: Edward Weston · Booklet Editing: WLP Ltd
  • Introductory Note & Translation © 2015 Decca Music Group Limited
  • Back Cover: Henri Dutilleux. Photo: Decca
  • Art Direction & Design: Jeremy Tilston for WLP Ltd

Barcodes

Barcode: 028947883555

About Riccardo Chailly, Concertgebouworkest

Alfred Schnittke (1934-1998) was born on 24 November 1934 in Engels, on the Volga River, in the Soviet Union. His father was born in Frankfurt to a Jewish family of Russian origin who had moved to the USSR in 1926, and his mother was a Volga-German born in Russia. Schnittke began his musical education in 1946 in Vienna where his father, a journalist and translator, had been posted. In 1948 the family moved to Moscow, where Schnittke studied piano and received a diploma in choral conducting. From 1953 to 1958 he studied counterpoint and composition with Yevgeny Golubev and instrumentation with Nikolai Rakov at the Moscow Conservatory. Schnittke completed the postgraduate course in composition there in 1961 and joined the Union of Composers the same year. He was particularly encouraged by Phillip Herschkowitz, a Webern disciple, who resided in the Soviet capital. In 1962, Schnittke was appointed instructor in instrumentation at the Moscow Conservatory, a post which he held until 1972. Thereafter he supported himself chiefly as a composer of film scores; by 1984 he had scored more than 60 films. Noted, above all, for his hallmark "polystylistic" idiom, Schnittke has written in a wide range of genres and styles. His Concerto Grosso No. 1 (1977) was one of the first works to bring his name to prominence. It was popularized by Gidon Kremer, a tireless proponent of his music. Many of Schnittke's works have been inspired by Kremer and other prominent performers, including Yury Bashmet, Natalia Gutman, Gennady Rozhdestvensky and Mstislav Rostropovich. Schnittke first came to America in 1988 for the "Making Music Together" Festival in Boston and the American premiere of Symphony No. 1 by the Boston Symphony Orchestra. He came again in 1991 when Carnegie Hall commissioned Concerto Grosso No. 5 for the Cleveland Orchestra as part of its Centennial Festival, and again in 1994 for the world premiere of his Symphony No. 7 by the New York Philharmonic and the American premiere of his Symphony No. 6 by the National Symphony. Schnittke composed 9 symphonies, 6 concerti grossi, 4 violin concertos, 2 cello concertos, concertos for piano and a triple concerto for violin, viola and cello, as well as 4 string quartets and much other chamber music, ballet scores, choral and vocal works. His first opera, Life with an Idiot, was premiered in Amsterdam (April 1992). His two new operas, Gesualdo and Historia von D. Johann Fausten were unveiled in Vienna (May 1995) and Hamburg (June 1995) respectively. From the 1980s, Schnittke's music gained increasing exposure and international acclaim. Schnittke has been the recipient of numerous awards and honors, including Austrian State Prize in 1991, Japan's Imperial Prize in 1992, and, most recently the Slava-Gloria-Prize in Moscow in June 1998; his music has been celebrated with retrospectives and major festivals worldwide. More than 50 compact discs devoted exclusively to his music have been released in the last ten years. In 1985, Schnittke suffered the first of a series of serious strokes. Despite his physical frailty, however, Schnittke suffered no loss of creative imagination, individuality or productivity. Beginning in 1990, Schnittke resided in Hamburg, maintaining dual German-Russian citizenship. He died, after suffering another stroke, on 3 August 1998 in Hamburg. He was married to pianist .

Real Name

    • Alfred Garyevich Schnittke (Russian: Альфред Гарриевич Шнитке)

Name Vars

  • A. Schnittke
  • A. Shnitke
  • A. Šnitke
  • A.Schnittke
  • A.Шнитке
  • Alfred Garrievitch Schnittke
  • Alfred Schnitke
  • Alfred Šnitke
  • Schnitke
  • Schnittke
  • А. Шнитке
  • А.Шнитке
  • Альфред Шнитке
  • Альфред Шнітке
  • Шнитке
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Summary by KLUBBER AUGUSTUS

"Alfred Schnittke Symphony No5" is a must-listen for any fan of contemporary classical music. Chailly and the Concertgebouworkest have created a truly remarkable album that showcases both Schnittke's genius and their own remarkable talents. Highly recommended.