King Curtis - Have Tenor Sax Will Blow

marklamm

Review by Mark Lamm

King Curtis' album "Have Tenor Sax Will Blow" is a classic masterpiece of soulful jazz music. Released in 1959, the album features Curtis' signature tenor saxophone playing, which is both powerful and emotive. The album is a perfect showcase of Curtis' talent as a musician, and his ability to create a sound that is both unique and timeless.

The album opens with the upbeat "Soul Twist," which sets the tone for the rest of the album. Curtis' saxophone playing is full of energy and passion, and it's clear that he is fully in control of his instrument. The album also features some great vocal performances, including "Soul Serenade," which features the soulful voice of Judy Clay.

One of the standout tracks on the album is "St. Louis Blues," which showcases Curtis' ability to play both slow and fast tempos with equal skill. The track is a perfect example of Curtis' ability to blend different styles and create something truly unique.

Table of Contents

Download

Filename: king-curtis-have-tenor-sax-will-blow.rar
  • MP3 size: 102 mb
  • FLAC size: 822 mb

Tracks

TrackDurationPreview
The Shake2:43
Peter
Birth Of The Blues
Little Brothers03:15
Chili2:9
Lil Brother4:54
Jay Walk4:17
Midnight Ramble2:32
Jaywalk
Cuban Twilight2:51
The Groove3:12
Linda3:15
Snake Eyes3:1
Peter Gunn2:56
Birth of the Blues2:34

Video

King Curtis - Linda
King Curtis - Jay Walk

Images

ladda ner album King Curtis - Have Tenor Sax Will Blow
télécharger l'album King Curtis - Have Tenor Sax Will Blow
descargar álbum King Curtis - Have Tenor Sax Will Blow
lataa albumi King Curtis - Have Tenor Sax Will Blow
last ned album King Curtis - Have Tenor Sax Will Blow
Album herunterladen King Curtis - Have Tenor Sax Will Blow

Catalog Numbers

  • HS-4080
  • 33-113
  • SD 33-113, 33-113
  • 45-RE-K 1307
  • SD 33-113
  • WPCR-27672

Labels

  • Hua Sun Records
  • ATCO Records
  • London Records, London American Recordings, London Atlantic

Listen online

  • online luisteren
  • escuchar en línea
  • ascolta in linea
  • kuunnella verkossa
  • lyssna på nätet
  • online anhören
  • lytte på nettet
  • écouter en ligne
  • ouvir online

Formats

  • Vinyl
  • LP
  • Album
  • Stereo
  • Unofficial Release
  • Orange
  • Mono
  • Reissue
  • 7"
  • EP
  • CD
  • Limited Edition
  • Remastered

Companies

RoleCompany
Record CompanyAtlantic Recording Corporation
Published ByProgressive
Manufactured ByAtlantic Recording Corporation
Pressed ByPresswell
Mastered AtAtlantic Studios
Distributed ByWarner Music Japan Inc.
Phonographic Copyright (p)WEA International Inc.
Copyright (c)WEA International Inc.

Credits

RoleCredit
BassJimmy Lewis (tracks: A1 to B4)
DesignMarvin Israel
DrumsBelton Evans (tracks: A1 to B4)
EngineerBill Schwartau, Tom Dowd
GuitarAl Casey (tracks: A1 to B4), Joe Puma (tracks: A2, A5, B1, B4), Jimmy Spruill (tracks: A1, A3, A4, B2, B3)
Liner NotesJoe Muranyi
Photography ByElbert Budin
PianoHerman Foster (tracks: A1 to B4)
ProducerNesuhi Ertegun
SoloistKing Curtis (tracks: A1, A3, A4, B2, B3)
Tenor SaxophoneKing Curtis, Noble Watts (tracks: A1, A3, A4, B2, B3)
Written-ByCurtis Ousley (tracks: A1, A3 to A5, B2, B3, B6)
Accompanied ByUnknown Artist (tracks: B5, B6)
Supervised ByNesuhi Ertegun
Artwork ByMarvin Israel
SaxophoneKing Curtis, Noble Watts (tracks: 1, 3, 4, 6, 7)

Notes

  • Taiwan pressing, no track times given, Some spelling erros copied from labels, See scans.
  • US reissue with a later ATCO label design (introduced 1968)
  • Printed in U.S.A.
  • Mfg by Atlantic Recording Corp., 1841 Broadway, New York, N.Y.
  • Publishing:
  • A1, A3 to A5, B2, B3, B6 - Progressive, BMI
  • A2 - Warock, ASCAP
  • B1 - Northridge, ASCAP
  • B4 - (none) BMI
  • B5 - Harms Inc., ASCAP
  • Has ATCO harp LOGO on label.
  • Budget Reissue Series
  • Made in Japan
  • ℗ 2013 © 1959

Barcodes

  • Matrix / Runout (A): HS4080-A, SFC-C-9171
  • Matrix / Runout (B): HS4080-B, AVCO, ST-C-59172
  • Rights Society (A1, A3 to A5, B2 to B4, B6): BMI
  • Rights Society (A2, B1, B5): ASCAP
  • Matrix / Runout (A-Side Label): 11607
  • Matrix / Runout (B-Side Label): 11608
  • Matrix / Runout (A-Side Runout Etching): C 11607 AT
  • Matrix / Runout (B-Side Runout Etching): C 11608 AT
  • Rights Society: BMI
  • Rights Society: ASCAP
  • Matrix / Runout (Label side A): ST-A-59171 PR
  • Matrix / Runout (Label side B): ST-A-59172 PR
  • Matrix / Runout (Runout side A): AVCO ST-C-59171
  • Matrix / Runout (Runout side B): AVCO ST-C-59172
  • Matrix / Runout (A-Side Label): C-11607
  • Matrix / Runout (B-Side Label): C-11608
  • Matrix / Runout (A-Side Label): AVCO ST-C-59171
  • Matrix / Runout (B-Side Label): AVCO ST-C-59172
  • Barcode (Text): 4 943674 137657
  • Barcode (Scanned): 4943674137657
  • Rights Society: JASRAC

About King Curtis

baixar álbum King Curtis - Have Tenor Sax Will BlowAlbum herunterladen King Curtis - Have Tenor Sax Will Blowlast ned album King Curtis - Have Tenor Sax Will Blowlataa albumi King Curtis - Have Tenor Sax Will Blowdescargar álbum King Curtis - Have Tenor Sax Will Blowtélécharger l'album King Curtis - Have Tenor Sax Will Blow
NOTE: For the songwriter sometimes credited as Memphis Curtis, see . American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. Born: February 7, 1934 in Fort Worth, Texas Died: August 13, 1971 in New York, New York (Murdered by junkies) Successful both as a solo artist -best known for his 1967 hit Memphis Soul Stew- as well as a session musician and producer. Curtis mainly played and composed rhythm and blues or soul but also some Rock and roll and great bop or soul jazz. He was inducted into the Rock & Roll Hall of Fame in 2000. From raresoul.com: "More than 2,000 people attended King Curtis funeral at St. Peters Lutheran Church in Midtown Manhattan. A number of important figures attended the services, including , her father , , , and , who delivered the eulogy. King Curtis is still by far, the most influential saxophone player in the history of R&B and Rock & Roll music. King Curtis played on thousands of records as the most in demand saxophone player, from the early 1950s until his death in August of 1971. He worked with a wide variety of artists ranging from and , to and . King Curtis began playing the saxophone at a young age in Fort Worth, Texas. He turned down a scholarship to pursue an opportunity as a member of s touring band. In 1952, King Curtis moved to New York to become one of the most in-demand session players, where his famous style of playing can be heard on classic songs like Yakety Yak by , Twistin the Night Away by , Tossin and Turnin By and numerous others. In 1961, King Curtis released his own hit record with titled Soul Twist, which landed at #1 for two weeks in April of 1962. In 1965, he supported The Beatles at Shea Stadium (including a number backing Brenda Holloway), signed with Atlantic Records Atco imprint and in 1967, King Curtis hit big with the singles Memphis Soul Stew and Ode To Billie Joe, while also leading s backing band, . Just months before King Curtis was stabbed, he was featured as a guest on s landmark album Imagine."

Real Name

    • Curtis Ousley

Name Vars

  • \
  • Ousley
  • B. Curtis
  • C.King
  • Curtis
  • Curtis Lewis
  • K. Curtis
  • K. Cutis
  • K. Kērtiss
  • King
  • King Chrtis
  • King Curtis And His Tenor Sax
  • King Curtis Ousley
  • King Curtis The King Of The Twisters
  • King Curtiss
  • Kurtis
  • R. Curtis
  • К. Кертис
  • ­ó°û«üÆ£¹

Aliases

  • Curtis Ousley
marklamm

Summary by Mark Lamm

"Have Tenor Sax Will Blow" is a must-listen for anyone who loves soulful jazz music. Curtis' talent as a musician shines through on every track, and the album is a perfect representation of his legacy as one of the greatest saxophonists of all time.

Comments

koepke96
Sweet!
legalpracticesoftware
...trepa por la escalera....
meditationvarity
Tenorist speaks his Blues with swinging masculinity and sweet soul aggression.

King Curtis uses swift, sharp staccato tonguings with serpent-like quickness, as well as with clarity.

Arnett Cobb did the same thing on tenor saxophone too.

Thanks for the post!