Junior Wells - Blues Hit Big Town
Table of Contents
Download
Filename: junior-wells-blues-hit-big-town.rar- MP3 size: 232.5 mb
- FLAC size: 1246.2 mb
Tracks
Track | Duration | Preview |
---|---|---|
Can't Find My Baby | 3:17 | |
Please Throw This Poor Dog a Bone | 2:31 | |
Blues Hit Big Town | 2:58 | |
Junior's Wail | ||
Hoodoo Man (Originally Titled Hoodo Man) | 3:8 | |
Please Throw This Poor Dog A Bone | ||
'Bout the Break of Day | 03:13 | |
Tomorrow Night | 2:29 | |
Junior's Wail (Alternate) | 3:03 | |
Lord Lord (Alternate Take) | 2:43 | |
Junior's Wail (Alternate Take) | 3:2 | |
Junior's Wail | 2:55 | |
'Bout The Break Of Day | ||
Cut That Out | 2:53 | |
Eagle Rock (Alternate) | 2:27 | |
Lord, Lord (Alternate) | 2:43 | |
Lord, Lord (Lawdy! Lawdy!) | ||
Lord Lord | 2:42 | |
Please Throw This Dog a Bone (Alternate Take) | 2:29 | |
Ways Like an Angel | 3:18 | |
Lord, Lord | 2:43 | |
Ways Like An Angel | ||
Hoodoo Man | ||
Eagle Rock (Alternate Take) | 2:26 | |
So All Alone | ||
Blues Hit Big Town -- Slow | ||
Blues Hit Big Town -- Fast | ||
Please Throw This Poor Dog Bone (Alternate) | 2:30 | |
Eagle Rock | 2:23 | |
Blues Hit Big Town (Alternate Take) | 2:37 | |
Can't Find My Baby | 3:16 |
Video
Junior Wells,Blues Hit Big Town(alt)
Images
Catalog Numbers
- DL 640, DL-640
- DL-640
- PLP-379
- DC-640
- DD-640
- DL 640
Labels
- Delmark Records
- Delmark Records, P-Vine Special
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Formats
- Vinyl
- LP
- Album
- Compilation
- Reissue
- Mono
- Cassette
- CD
- Promo
Companies
Role | Company |
---|---|
Phonographic Copyright (p) | Delmark Records |
Pressed By | Wakefield Manufacturing |
Lacquer Cut At | Wakefield Studios |
Copyright (c) | Delmark Records |
Recorded At | Universal Recording Studio |
Mastered At | Wakefield Manufacturing |
Published By | Frederick Music |
Made By | Blues Interactions, Inc. |
Distributed By | Blues Interactions, Inc. |
Credits
Role | Credit |
---|---|
Artwork | Andrew J. Epstein |
Design | Andrew J. Epstein |
Compilation Producer | Robert G. Koester |
Lacquer Cut By | JB |
Liner Notes | Bob Koester |
Recorded By | Bill Putnam |
Recording Supervisor | Leonard Allen, Willie Dixon |
Vocals | Junior Wells |
Harmonica | Junior Wells |
Acoustic Bass | Willie Dixon |
Cover | Andrew J. Epstein |
Design Concept | Robert McCamant |
Drums | Fred Below (tracks: A1 to A6), Odie Payne (tracks: B1 to B6) |
Guitar | Dave Myers, Elmore James (tracks: A1 to A6), Louis Myers, Muddy Waters (tracks: B1 to B6) |
Piano | Johnnie Jones (tracks: A1 to A6), Otis Spann (tracks: B1 to B6) |
Sleeve Notes | Bob Koester |
Reissue Producer | Bob Koester |
Bass | Dave Myers (tracks: 2, 3, 14), Willie Dixon (tracks: 8, 9, 10, 11, 16, 17) |
Photography By | Ray Flerlage |
Producer | Robert G. Koester |
Compiled By | Robert G. Koester |
Supervised By | Leonard Allen, Willie Dixon |
Notes
- Recorded in Chicago, June 8, 1953 (A1 to A3, A5, A6, B5), 1954 (B4), and April 15, 1954 (A4, B1 to B3, B6)
- ℗ 1977 Delmark Records
- NB: Unissued tunes: A5; B1, B4, B6. Alternative takes previously unissued. A6. Also B5 here uses intercut intro from previously unissued take 6.
- Recorded June 8, 1953 (A1 to A6) and April 15, 1954. (except B4, date unknown, prob. 1954)
- All original material published by Frederick Music-BMI.
- (Notes on Back Cover)
- (this version released in the 1990's)
- Came with green obi-strip "P-Vine Special".
- 1998 US CD reissue with five previously unissued bonus tracks.
- Tracks 12-14, 16 previously unissued.
- © ℗ 1998 DELMARK RECORDS
- White labels with black ink
- Sample Not for Sale
Barcodes
- Matrix / Runout (Side A, runout): JB DL640A | (Wakefield logo) 31365
- Matrix / Runout (Side B, runout): JB 2H ̷ς̷H̷ DL-640B (Wakefield logo) 31365
- Barcode: 038153064013
- Matrix / Runout (Label side A): DL 640-A
- Matrix / Runout (Label side B): DL 640-B
- Matrix / Runout (Side A runout etched): DL 640 A ⥁ 31365
- Matrix / Runout (Side B runout etched): DL 640 B ⥁ 31365
- Rights Society: BMI
- Other (Price indication on green obi-strip): ¥ 2,300
- Barcode: 0-38153-0640-20
Comments
Uuuhhhh
YESSS!!!!!!
Another gem: Junior Wells in his prime recorded at Universal Studio in Chicago, where so many of the great Chicago blues classics were recorded.
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