Jacques Offenbach André Cluytens - Hoffmanns Erzählungen
Table of Contents
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Tracks
Track | Duration | Preview |
---|---|---|
Act IV: 1st Tableau (Conclusion) "Antonia" | ||
Prelude & Act I (Part 1) "La Taverne De Maître Luther" | ||
Act II (Conclusion) "Olympia" | ||
Act III (Conclusion) "À Venise" | ||
Act II (Part 1) "Olympia" | ||
Entr'acte & Act IV: 2nd Tableau "La Taverne De Maître Luther" | ||
Act I (Conclusion) "La Taverne De Maître Luther" | ||
Act IV: 1st Tableau (Part 2) "Antonia" | ||
Act IV: 1st Tableau (Part 1) "Antonia" | ||
Act III (Part 1) "À Venise" |
Images
Catalog Numbers
SMA 91 459/60/61Labels
EMI ElectrolaListen online
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Formats
- 3 × Vinyl
- LP
- Stereo Box Set
Credits
Role | Credit |
---|---|
Baritone Vocals | Ernest Blanc |
Bass Vocals [Coppèlius | George London |
Le Docteur Miracle] | George London |
Bass Vocals | Robert Geay |
Choir | Choeurs René Duclos |
Chorus Master | Jean LaForge |
Composed By | Jacques Offenbach |
Conductor | André Cluytens |
Liner Notes | Alexander Faris, Stephen Williams |
Mezzo-soprano Vocals | Christiane Gayraud |
Orchestra | Orchestre De La Société Des Concerts Du Conservatoire |
Performer | Renée Faure |
Soprano Vocals | Victoria De Los Angeles |
Tenor Vocals [Cochenille | Jacques Loreau |
Pitichinaccio] | Jacques Loreau |
Tenor Vocals | Nicolai Gedda |
Notes
- Issued with 36-page booklet containing liner notes, photographs and illustrations plus libretto in French and German.
- Gesamtaufnahme in französicher Sprache.
About Jacques Offenbach André Cluytens
Born: 1819-06-20 (Cologne, Germany)
Died: 1889-10-05 (Paris, France)
Jacques Offenbach was a German-born French composer and cellist of the Romantic era and one of the originators of the operetta form. Of German-Jewish ancestry, he was one of the most influential composers of popular music in Europe in the 19th century, and many of his works remain in the repertory.
Offenbach's numerous operettas, such as «Orphée aux enfers» (Orpheus in the Underworld) and «La belle Hélène», were extremely popular in both France and the English-speaking world during the 1850s and 1860s. They combined political and cultural satire with witty grand opera parodies. His popularity in France went down during the 1870s after the Second Empire, and he fled France, but during the last years of his life, his popularity rebounded, and several of his operettas are still performed. While his name remains associated most closely with the French operetta and the Second Empire, it is Offenbach's one fully operatic masterpiece, «Les contes d'Hoffmann» (The Tales of Hoffmann), composed at the end of his career, that has become the most familiar of Offenbach's works in major opera houses.
Offenbach was music director of the for 7 years.
Real Name
- Jacob Offenbach
Name Vars
- Hofenbach
- Hoffenbach
- I. Offenbach
- J Offenbach
- J. Offenbach
- J. Offenbach
- J. ªÃÕ§óÐï
- J.Offenbach
- J.S. Offenbach
- J.ªÃÕ§óÐï
- J; Offenbach
- Jac. Offenbach
- Jacob Offenbach
- Jacque Offenbach
- Jacques Auguste Igna Offenbach
- Jacques Auguste Offenbach
- Jacques L. Offenbach
- Jacques Offenbach (1819-1880)
- Jacques S. Offenbach
- Jakub Offenbach
- Jaques Offenbach
- Jules Offenbach
- M. J. Offenbach
- M.J. Offenbach
- Ofeenbach
- Ofenbach
- Ofenbah
- Offembacch
- Offembach
- Offen Bach
- Offenbach
- Offenbach J.
- Offenbach Jacques
- Offenbach's
- Offenbach, Jacques
- Offenbach-
- Offenbach-Rosenthal
- Offenback
- Offenberg
- Offerbach
- Offnbach
- Ophenbach
- Pffembacj
- offenbach
- Ž. Ofenbachas
- Ž. Ofenbah
- Ž. Ofenbahs
- Ž.Ofenbahs
- Ζακ Όφενμπαχ
- Ж. Оффенбах
- Жак Офенбах
- Жак Оффенбах
- Офенбах
- Оффенбах
- ªÃÕ§óÐï
- ¸ãïûªÃÕ§óÐï
Aliases
- Jacob
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