Donald Byrd - Little Boy Blue

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Review by Mitra Faridian

Little Boy Blue, the 1958 album by Donald Byrd, is a masterpiece of jazz music that showcases the trumpeter's virtuosity and versatility. The album features a mix of original compositions and standards, all of which are performed with impeccable skill and passion.

The title track, "Little Boy Blue," is a haunting ballad that showcases Byrd's lyrical playing and sensitive phrasing. "Hank's Other Soul," another original composition, is a hard-swinging tune that features Byrd's fiery trumpet playing and the rhythm section's driving groove.

The album also includes several standards, including "I've Got It Bad (And That Ain't Good)" and "Polka Dots and Moonbeams," which Byrd and his band infuse with their own unique style and energy.

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Artist: Donald Byrd
Album: Little Boy Blue

Table of Contents

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Tracks

TrackDurationPreview
Gate City
Little Boy Blue

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Catalog Numbers

45-1798

Labels

Blue Note

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Formats

  • Vinyl
  • 7"
  • 45 RPM

Credits

RoleCredit
PerformerDonald Byrd, Doug Watkins (tracks: B), Duke Pearson, Hank Mobley (tracks: B), Lex Humphries, Reginald Workman (tracks: A)

About Donald Byrd

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American jazz trumpeter, composer, bandleader and educator. Born: 9 December 1932 in Detroit, Michigan, USA. Died: 4 February 2013 in Dover, Delaware, USA (aged 80). Byrd attended Cass Tech, where he studied classical music and was mentored by the band director , a disciplinarian. He played trumpet in military bands during a stint in the Air Force from 19511953, before graduating from Wayne State University in 1954 with a music degree. Like other young Detroit jazz musicians, he also studied with bebop pianist . Byrd's warmly burnished sound, fluent technique and aggressive-yet-graceful swing was rooted in the style of Clifford Brown, but his gangly, rhythmically loose phrasing was a unique calling card right from the get-go. As Byrd matured in the late 1950s and early 1960s, he tempered his hummingbird flourishes with a cooler sensibility and phrasing. Byrd recorded prolifically both as a sideman and a leader, appearing on scores of recordings on the , , and labels. He led a feisty quintet with his old pal from Detroit, baritone saxophonist , from 19581961. Byrd also gave a young pianist from Chicago named his first major exposure by hiring him in 1961. As a composer, Byrd was proficient in church-inspired shouts, funky and sophisticated blues forms and structurally interesting originals. He had a wider field of vision than many of his peers, exemplified by his influential 1963 LP, A New Perspective (Blue Note), which married his small group with a gospel choir. Byrd never stopped going to school. He earned a master's degree in music education from the Manhattan School of Music in the late 1950s, studied composition with the famous classical pedagogue in France in the early 1960s, earned a law degree from Howard University in 1976 and a doctorate from Columbia Teachers College in New York in the early 1980s. Beginning in the 1960s, Byrd taught at many universities, most notably Rutgers, Howard and North Carolina Central. By the early 1970s, Byrd had begun exploring a danceable fusion of jazz, R&B and soul. In 1973, he teamed with current and former students at Howard, where he was chairman of the black music department, to make the best-selling LP Black Byrd. Produced by brothers , the record and its sequels elevated Byrd into a crossover star.

Real Name

    • Donaldson Toussaint L'Ouverture Byrd II

Name Vars

  • B. Byrd
  • Bird
  • Byrd
  • D Byrd
  • D. Byrd
  • D.Byrd
  • D.T. Byrd
  • Don Byrd
  • Donal Byrd
  • Donald Bird
  • Donaldson Toussaint L'Ouverture \
  • Byrd II
  • Dr. Donald Byrd
  • Mr. D Byrd
  • Sahib Byrd
  • ÉÊëÉûÐüÉ
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Summary by Mitra Faridian

Little Boy Blue is a must-have for any jazz fan, and it is a testament to Donald Byrd's status as one of the greatest trumpeters of his generation. The album's timeless quality and enduring appeal make it a true classic of the genre.